Into a Nizam’s heaven
source;Hindubusinessline   
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 Fairytale lair: Central foyer of the Falaknuma Palace, Hyderabad. - RASHEEDA BHAGAT Fairytale lair: Central foyer of the Falaknuma Palace, Hyderabad. - RASHEEDA BHAGAT
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 Sufi qawali at the Gol Bungalow. - RASHEEDA BHAGAT Sufi qawali at the Gol Bungalow. - RASHEEDA BHAGAT
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 Queen Ujala Devi’s bathtub with a piping system that infused perfume into the bathwater. - RASHEEDA BHAGAT Queen Ujala Devi’s bathtub with a piping system that infused perfume into the bathwater. - RASHEEDA BHAGAT
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 Frontal view of the palace, built in Tudor-Italian style. - RASHEEDA BHAGAT Frontal view of the palace, built in Tudor-Italian style. - RASHEEDA BHAGAT
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 Meeting-cum-gossip room of Queen Ujala Begum. - RASHEEDA BHAGAT Meeting-cum-gossip room of Queen Ujala Begum. - RASHEEDA BHAGAT
Adaa and nazakat, two beautiful Urdu words, come closest to 
summing up the fairytale world that is the Taj Falaknuma Palace in the Nizam’s 
city of Hyderabad. But to get the nuance of what they really convey, many 
English words need to be deployed — elegance, style, romance, beauty, poise, 
grace, charm, tantalising…. This palace, in its different moods, does all this, 
and more, to you. 
I arrive at the Taj Falaknuma (mirror of the heavens) bleary-eyed 
after an early morning flight. But the regal horse-carriage, bearing the Nizam’s 
insignia, waiting to transport me to the elegantly appointed Shahzaadi suite, 
wakes me up. The carriage pulls up before the magnificent white-and-grey 
edifice, and I climb up the steps — to be showered with rose petals! The palace, 
built in the shape of a scorpion, exudes warmth, calm, grandeur and beauty, all 
rolled into one. Suddenly my simple cotton top and comfortable trousers (worn 
for the flight) appear inadequate… surely, a delicately embroidered Tusser silk 
kurta was called for, I rue. 
My suite is in the zenana section, where the sixth Nizam, Mahboob 
Ali Pasha, kept a harem of 100 women, no less. Built over 32 acres on the 
Koh-i-Tur Hill, which is 2,000 ft above sea level, the palace overlooks the old 
city of Hyderabad. It’s Eid, the weather is great, and the city’s icons, such as 
the Charminar, Mecca Masjid and Golconda Fort, are visible from the marbled 
front porch. 
An Eid celebration 
The sound of Eid prayers, the shor-sharaba of the festivities rend 
the air. The ambience transports you to a bygone era where every Eid celebration 
must have been special, with huge bartan overflowing with lazeez khana. Men and 
women, resplendent in their finest silks and the famed Nizam’s jewels, would be 
gliding around the palace grounds enjoying a scale of grandeur that ordinary 
mortals can only dream of. 
Or so I thought, having no clue of the warm and lavish hospitality 
that General Manager Girish Sehgal and his team would enchant me with! 
Within an hour or so of landing at Falaknuma, it is easy to get 
intoxicated. Particularly enchanting is the flora: Acres of lush greenery, shady 
canopies of tamarind, pomegranate, sweet-lime and other fruit trees, swaying 
date palms, flowering trees and colourful bushes twirling around the many 
pathways. The fragrance of mogra, the Nizam’s favourite flower, permeates the 
air. 
But more intoxication is in store — when sparkling wine is offered 
at breakfast. The first morning I say a polite ‘no’, but on the second I go for 
it, thinking it would pair beautifully with the delectable Paya-nihari-Sheermal 
(trotters-bread) combo. It does. I’m coaxed into trying the kheema-naan, which 
is delicious too. A wide range of healthy drinks, a host of pastries, cakes and 
the softest of croissants are on offer at breakfast, which is prepared to order. 
To atone for the sinful calories, after a break, I head for the 
cool waters of the swimming pool nestling in perfect sylvan surroundings. A few 
laps, and the pool attendant treats me to a refreshing raw mango drink and cut 
fruits. 
Nawabi hospitality 
The breakfast is only a teaser for the nawabi hospitality that 
follows. Ramzan has just ended, so the haleem has to be tasted; it melts in the 
mouth. To keep it so smooth and yet, unlike a paste, with distinct, well-done 
meat strands tantalising your taste buds is a challenge the chef has got right. 
Between Celeste, the Falaknuma’s all-day diner offering international cuisine, 
and Adaa, its aptly named Indian restaurant, Executive Chef Arun Nayak’s team 
provide guests an unforgettable culinary experience. 
The kachchi Hyderabadi biryani is subtle and deliciously fragrant, 
the lamb just right and juicy; the array of kebabs are a delectable assault on 
your taste buds. From the Dahi ke kebab, a rare kebab made from hung yoghurt, 
green chilli and cardamom, to the Gosht ki shammi, patties made with meat, chana 
dal and spices — the stuff just melts in the mouth. Falaknuma also reminds you 
that just as in the finest of Mediterranean cuisine in Greece or Spain, food is 
not something you rush through. 
So you have Ithmenan se, the Urdu equivalent of “slow food”. Under 
this category, I sampled the lip-smacking and unbelievably tender Pathar ka 
Gosht; the recipe for this special dish was discovered in the Falaknuma Palace’s 
archives and perfected by the chef. On offer are scallops of kid lamb marinated 
over 48 hours and then cooked slowly over hot granite. 
Unimaginable extravagance 
But the best of Dakhani cuisine is only a part of the charm of 
staying at the Falaknuma, where, as a reviewer puts it on Trip Advisor, “The 
staff make you feel as though you’re a king returning to your own palace”. 
Whether it is the shining marble, the shimmering, exquisite chandeliers, 
gleaming tabletops with intricate wood inlay work, luxurious sofas with leather 
embellishments, rich carpets, the central staircase which is an architectural 
wonder having no vertical suspension, ballroom and conference hall — which was 
once the Nizam’s breakfast room, library with a collection of rare books, or 
banquet hall with a table that can comfortably seat 120 diners, every nook and 
corner of this edifice raises enigmatic questions in the mind of the guest. 
For answers, I read Falaknuma, the book by George Michell, and 
take a guided tour with historian Prabhakar Mahindrakar. Hyderabad, as the 
largest Indian princely State, had to keep abreast of western politics and 
fashion. Among important persons who often visited Europe was Viqar ul Omra, the 
Diwan of Mahboob Ali Pasha. After an eight-month Europe visit in 1882, Omra was 
inspired to build a new-classical style grand palace. 
Work on the Falaknuma Palace began in 1884 with an ambitious 
design, and although the Diwan moved into it in 1889 he continued to embellish 
it with custom-built furniture, chandeliers, frescos, and fountains. Over 10 
years, he spent an estimated Rs 30-40 lakh and went bankrupt. There are many 
versions of how the palace changed hands from the Diwan to his boss, the Nizam. 
I liked best Prabhakar’s, which has it that after a lavish party at the palace 
in 1897, the Nizam stayed on for a few nights, called his host and said: “Merey 
pair yaha se nahi uthtey hei (My feet refuse to move from here).” 
Nizam moves in! 
Omra had little option but to offer the palace, built in 
Tudor-Italian style, as a gift to his boss, and the Nizam compensated him 
handsomely, paying much more than the amount spent on building and decorating 
this edifice. “Sixteen types of wood and 10 types of marble have been used here, 
mainly from Europe. The exquisite chandeliers were custom-built in France and 
England,” says the historian, as he walks me around the place. As we enter the 
frescoed entrance foyer adorned with a stunning painting of an eagle (by Jean 
Gaudier), he recreates the past. 
“The Nizam had 17 palaces in Hyderabad, but he chose to stay in 
Falaknuma, which was the grandest and most beautiful of all. He entertained and 
hosted State heads and the world’s royalty here… crown prince of Germany, Czar 
of Russia, King George V, Queen Mary and India’s first president, Rajendra 
Prasad, have been guests here.” 
The walls and fittings in the famed library have spectacular inlay 
work in rosewood and mahogany. The glistening central reading table has 
prominent monograms of VO, the Diwan’s initials. The chairs have embossed gilded 
leather coverings, and the coffered ceiling is designed akin to the one at the 
Windsor Castle library! 
The library has 5,970 rare books in nine languages, including 
English, Urdu, Persian and Arabic; the Nizam was well-versed in all the four 
languages, Prabhakar says. “We also have a first edition of the Sinking of the 
Titanic, written by a survivor, and a rare edition of Encyclopaedia Britannica 
printed in Cambridge in 1911 and dedicated to George V,” he adds. 
Mind-blowing hospitality 
My suite is elaborately done up in the subdued palace colours of 
beige, brown and grey. The washroom area is huge, the sanitary fittings are a 
shining gold, and the arrangement of white and peach lilies seduces the senses. 
I am assigned a personal butler, Chinar, who ensures that my 
geographically-challenged brain takes me to the right places for meals, 
melodious sufi qawalis in the Gol Bungalow, and other places in the mammoth 
palace. Both the dinner experiences are unique; the second is a surprise 
pre-birthday party — they’d found out that my birthday was four days away — in 
the Nizam’s suite, which costs a whopping Rs 5–8 lakh a night, depending on the 
season. Kumar Mangalam Birla, Vijay Mallya and the Queen of Qatar have stayed 
here. Before dinner, the General Manager, Sehgal, joins me for cocktails — the 
pomegranate/ watermelon/ orange Mojitos here are to die for — and a special, 
intimate qawali session is organised by the Nizam’s poolside. 
The GM is thrilled that in less than two years of its opening, the 
hotel is seeing many repeat guests opting for longer stay. The basic room here 
starts at around Rs 24,000, and the priciest is the Nizam’s suite. 
“We treat all our guests as the Nizam’s special guests and strive 
to provide personalised service… if you love history, nature or luxury, this is 
the place to be in,” Sehgal smiles. 
I experience total pampering and personalised service during my 
stay. 
Yet, there is more, to reiterate that it is a Taj hotel. I’ve been 
attacking the scrumptious macaroons kept in my room, and Chinar must have 
noticed their disappearance. Just before I get into the Jaguar for airport 
transfer, she hands me a beautiful container packed with the delicacy… so I take 
back home more than just beautiful memories. 
Queenly touches of luxury 
In 2000, Taj Hotels took over the renovation of Falaknuma Palace. 
The renovation committee was headed by Princess Esra Jah, who married Mukkaram 
Jah, the grandson of the seventh Nizam. Historian Prabhakar Mahindrakar says 
when he first saw the palace, “I thought it would crumble very soon — huge 
cracks, decaying wooden ceilings, water seepage were all there. The carpets and 
curtains were in tatters, the upholstery was eaten away by white ants, and heaps 
of dust and huge cobwebs greeted me. Outside there were wild dogs, porcupines 
and snakes.” 
But soon, experts were pressed into service and Princess Esra 
said, “I will restore the bygone era.” Her standards were rigorous — numerous 
carpets and curtains were rejected, and others had to be dyed repeatedly to get 
the right shade. 
Women visitors will be fascinated with the meeting-cum-gossip room 
of Queen Ujala Begum. It has exquisite French furniture, with special shelves 
above the sofas to store cosmetics and perfumes for the ladies. Complementing 
wall-mounted mirrors and chandeliers are exotic drapery and matching carpets. 
A highlight at the palace is the Nizam’s study, where 
“huzoor used the famous 183-carat Jacob diamond, valued at Rs 400 crore, 
as his paperweight. You can see the gold border all around and the original 
leather covering… 117 years have passed, but the leather is still intact,” says 
Prabhakar. Pointing to an ornate phone, he says: “From this phone, the Nizam 
used to make calls over 100 years ago.” 
The treasures the various rooms and halls unfold are a virtual 
feast for the eyes and the senses. Ornate gilded frames and frescos, elaborate 
drapery and crystal castings for ceiling fans, intricate music systems, clocks 
with celestial figures… and the Nizam’s bed, its top made of gold and legs 
diamond-studded. A pulley system helped lower the lights for his reading! And 
then there was the Begum’s special bathtub with an intricate pipe system that 
carried not only hot and cold water but also perfume to be mixed into the 
bathwater. 
I discover a fine touch in my wardrobe drawers, which are lined 
with cushioned silk, and smile, recalling the historian saying that Queen Ujala 
Begum’s wardrobes were lined thus because if one of her countless maids was not 
around and she rummaged around in it, her fingers should not be hurt! 
 
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